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Six Sonatas for solo violin (Ysaÿe)
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Six Sonatas for solo violin (Ysaÿe) : ウィキペディア英語版
Six Sonatas for solo violin (Ysaÿe)
Eugène Ysaÿe's Six sonatas for solo violin, Op. 27, is a set of sonatas for unaccompanied violin written in July 1923. Each sonata was dedicated to one of Ysaÿe’s contemporary violinists: Joseph Szigeti (No. 1), Jacques Thibaud (No. 2), George Enescu (No. 3), Fritz Kreisler (No. 4), Mathieu Crickboom (No. 5), and Manuel Quiroga (No. 6).
== General background ==
After having heard Joseph Szigeti perform Johann Sebastian Bach's sonata for solo violin in G minor, Ysaÿe was inspired to compose violin works that represent the evolution of musical techniques and expressions of his time. As Ysaÿe claimed, "I have played everything from Bach to Debussy, for real art should be international."〔Martens, Frederick H. ''Violin Mastery – Talks with Master Violinists and /teachers.'' New York: Frederick A. Stokes, Co.,1919.p.6〕 In this set of sonatas, he used prominent characteristics of early 20th century music, such as whole tone scales, dissonances, and quarter tones. Ysaÿe also employed virtuoso bow and left hand techniques throughout, for he believed that "at the present day the tools of violin mastery, of expression, technique, mechanism, are far more necessary than in days gone by. In fact they are indispensable, if the spirit is to express itself without restraint."〔Martens, Frederick H. ''Violin Mastery – Talks with Master Violinists and /teachers''. New York: Frederick A. Stokes, Co.,1919.p.7〕 Thus, this set of sonatas places high technical demands on its performers. Yet Ysaÿe recurrently warns violinists that they should never forget to play instead of becoming preoccupied with technical elements; a violin master "must be a violinist, a thinker, a poet, a human being, he must have known hope, love, passion and despair, he must have run the gamut of the emotions in order to express them all in his playing."〔Martens, Frederick H. ''Violin Mastery – Talks with Master Violinists and /teachers''. New York: Frederick A. Stokes, Co.,1919.p.12〕

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